It was born from the meeting between Renaissance tradition and the technological future. The work represents a profound reflection on the evolution of the concept of creation. Here, Adam is not shaped by God, but by a robot, in an elevated laboratory overlooking a lush and uncontaminated nature, devoid of human presence. This contrast between artificial perfection and the vitality of nature highlights the growing disconnect between man and the natural world, exploring the idea that human life can now be manufactured, while nature thrives independently.
